Within the hushed atmosphere of a lounge near London's prestigious dance company, Matthew Ball requests a mint tea. His posture is effortlessly upright, his arms defined beneath a simple tee. During performances, dancers can seem like mighty gods, yet often offstage they are small. Not so Ball, whose height is part of his popularity for princely roles and pas de deux work. With fine features and piercing eyes, there's a hint of Robert Pattinson about him.
An Apparent Ascent to the Pinnacle
Now 31, Ball is experiencing the peak of a career that has progressed seamlessly. Raised in Liverpool, he encountered little teasing for his early interest in ballet. Joining the esteemed training institution at 11, he moved directly into the company and was advanced annually, reaching the top rank of lead dancer in 2018. He has relished tackling meaty characters, especially the emotional angst found in Kenneth MacMillan's ballets.
"Your breath is short, your legs get heavy, but it’s really a neural fatigue."
Ball's next starring role is in a talk, in an "Evening With" event aiming to offer intimate perspectives into a performer's craft. He will walk the audience through a part, demonstrating his mental process while execution. Even in more comedic ballets, the challenge is profound. "Don Quixote is one of the most demanding technically," he states.
The Psychological Game and After the Show Feelings
What about following a show, when he has pulled it off? "It feels pretty good," he says. "But because I'm trying to squeeze all the emotion out of it, and get lost in the role, frequently I do feel embarrassed later. After an intense role I'm always thinking: God, what must people think?"
Offstage, Ball is reflective, mild-mannered, and prone to laugh at himself. But a dance maker previously observed on a "sense of suffering in him." Is there? "I am very active usually, but I do have a dark side," he confesses. "I kind of enjoy pessimism sometimes. I've always felt that doubt has been an catalyst for positive change."
Formative Motivations and Creative Influences
His tenacity stemmed from early experiences. Not excelling in competitions at school made him "driven!" It was motivation to prove he could achieve. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit obsessive," he recalls.
The next endeavor is making his own dance works. For Ball, "there's nothing wrong with." "Challenging the rules is interesting, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be filled with meaning, drawing ideas from books, compositions, and art.
Close-Up Performance and Private Partnership
He also favors presenting dance in more intimate venues. "It was just really exciting," he says of a previous experience. "You’re so close to the viewers. I felt as if they were realizing: 'That’s a human, and they’re perspiring.'"
Ball has made duets with his girlfriend, fellow principal Mayara Magri. The degree of trust between them is evident. "We tried it out on the beach first," he says of a audacious lift. "It was like Dirty Dancing." The couple are not typically matched on stage at their main theater, which is perhaps healthy. "We’re both quite strong-willed people, so it’s not always smooth sailing," he admits. "Yet I feel like we’re each other’s biggest supporter."
On Social Media and Physical Perception
On social media, fans can see videos from his dance films and photos that showcase a sculpted physique. Does he mind that the engagement can be somewhat focused on appearance? Not really. "The body is just what we work with, so I don’t feel very protective about it," he explains. He compares it to seeing Michelangelo’s David—an object that can be seen on various ways.
Ball describes his early self as "eager for success." Did it met his hopes? "I am conscious of how life is a different reality to the aspirations you made as a young person," he muses. He likely has another ten years of dancing ahead. "I suppose in the time to come, I want to be a bit more gentle with myself."